DARN

Fresh, Graphic / View comments / July 6, 2009

I CUNT READ

Fresh, Graphic / View comments / June 26, 2011

MANDARIN

Fresh, Graphic / View comments / November 17, 2009

LZB

Fresh, Graphic / View comments / December 12, 2010

THE DARK REVEREND

Fresh, Graphic / View comments / June 18, 2011

Character WIP / with Martin Šoštarič


TURD

Fresh, Graphic / View comments / June 24, 2009

SHIFTSHAPERS

Fresh, Graphic / View comments / September 2, 2010

BUDS

Fresh, Graphic / View comments / May 13, 2009

3D SERIF

Fresh, Graphic / View comments / May 17, 2009

Serifs play an important historical role and exude a particular impression and stability in letters. This experiment addresses the characteristics of the third dimension and not only the extrusion from 2d. This is why the serifs are faced towards us; this en face perspective appears to be sans, gaining added value with the impression obtained through further observation of the object from multiple angles. In this case, they play an even greater role in stability, because the letters have a substantially more stable balance.


MUSH

Fresh, Graphic / View comments / March 9, 2010

HELVETICA POINTED!

Fresh, Graphic / View comments / June 14, 2009

When it comes to display fonts, readability plays a more important role than legibility. The concept of distinguishability is not as critical as it is with typefaces, designed for body text. Display fonts are key factors of recognizability; this particular font is extremely widespread, mainly because of its “bullet-proof” character and accessibility. This enables a type designer to seek new features without the trouble of creating a completely new typeface.

The application of the pointed terminal is more a presentation of a new type feature than merely a twist on the existing typeface.

With the application of the pointed terminal, the stroke, loop and shoulder of a type stay unchanged. However, the apex and the vertex, defined as the meeting point of two strokes, differ and fail to remain uniform. The pointed effect could not be applied with all meeting points, and was, in those cases substituted with a clipped edge. The terminals of letters with a loop undergo some optical changes.

/ The original font is made by Max Miedinger, copyright held by Linotype /


GRD K PS

Fresh, Graphic / View comments / December 19, 2010

BARE

Fresh, Graphic / View comments / July 10, 2009

PLACES

Fresh, Graphic / View comments / November 8, 2009

CC

Fresh, Graphic / View comments / November 22, 2010

NOT

Fresh, Graphic / View comments / December 13, 2009

WAITING FOR YOU

Fresh, Graphic / View comments / January 16, 2011

DIE TANZIG KATZEN

Fresh, Graphic / View comments / August 22, 2009

ROKE KVIŠKU

Fresh, Graphic / View comments / June 3, 2009

PERFECT BALANCE

Fresh, Graphic / View comments / April 21, 2010

TYPOGRAFFITI VOL. 3

Fresh, Graphic / View comments / December 29, 2009

EAT FAT

Fresh, Graphic / View comments / August 29, 2009

MAD SPAGHETTI

Graphic / View comments / March 24, 2009

THE RIGHT WAY

Graphic / View comments / April 4, 2009

MATERJOSHKA

Graphic / View comments / March 24, 2009

SHIP

Graphic / View comments / March 24, 2009

TYPOGRAFFITI X

Graphic / View comments / April 1, 2009

The combination of graffiti knowledge, transferred onto computers; from a world, where addition and decoration are seen as counterproductive, where less is more. The synergy results in non-classic types, something we like to call typograffiti. In the course of years, they have changed their characteristic form and evolved new categories; from the initial, drawn by hand, to those addressing the characteristics of the digital and deduction.


WAS

Graphic / View comments / April 4, 2009

AQUA

Graphic / View comments / March 24, 2009

HANGOVER

Graphic / View comments / March 24, 2009

MISS MATCH

Graphic / View comments / March 24, 2009

RED DOVE

Graphic / View comments / April 4, 2009

TMNT

Graphic / View comments / April 4, 2009

SKULL PAPER

Graphic / View comments / April 4, 2009

HAND STYLE

Graphic / View comments / April 3, 2009



TOPLESS

Graphic / View comments / March 29, 2009

SKLL

Graphic / View comments / April 4, 2009

MCCLOUD

Graphic / View comments / April 4, 2009

CHAIR

Graphic / View comments / April 4, 2009

GSUS

Graphic / View comments / April 4, 2009