The combination of graffiti knowledge, transferred onto computers; from a world, where addition and decoration are seen as counterproductive, where less is more. The synergy results in non-classic types, something we like to call typograffiti. In the course of years, they have changed their characteristic form and evolved new categories; from the initial, drawn by hand, to those addressing the characteristics of the digital and deduction.

Serifs play an important historical role and exude a particular impression and stability in letters. This experiment addresses the characteristics of the third dimension and not only the extrusion from 2d. This is why the serifs are faced towards us; this en face perspective appears to be sans, gaining added value with the impression obtained through further observation of the object from multiple angles. In this case, they play an even greater role in stability, because the letters have a substantially more stable balance.